Acknowledgements5-6
Abstract6-8
摘要8-12
Chapter 1 Introduction12-16
1.1 Toni Morrison and Her Achievements12-13
1.2 An Introduction to The Bluest Eye13-14
1.3 Research Purpose14
1.4 Thesis Framework14-16
Chapter 2 Literature Review16-20
2.1 Previous Studies on the Rhetoric of Fiction16-17
2.2 Previous Studies on The Bluest Eye17-20
Chapter 3 Theoretical Background20-27
3.1 Rhetoric20-23
3.1.1 History of Rhetoric20-22
3.1.2 The Definition of Rhetoric22-23
3.2 The Rhetoric of Fiction23-27
3.2.1 Wayne Booth’s Theory23-25
3.2.2 Li Jianjun’s Theory25-27
Chapter 4 Rhetoric Features in The Bluest Eye27-44
4.1 Macro Rhetoric in The Bluest Eye27-37
4.1.1 The Structure27-29
4.1.1.1 The Comppcated Structure27-28
4.1.1.2 The Repeated Primer28-29
4.1.2 The Control of the Point of View29-34
4.1.2.1 The Point of View in Prologue30
4.1.2.2 The Point of View in Segment Autumn30-32
4.1.2.3 The Point of View in Segment Winter32
4.1.2.4 The Point of View in Segment Spring32-33
4.1.2.5 The Point of View in Segment Summer33-34
4.1.3 The Musical Language34-37
4.1.3.1 The Blues in The Bluest Eye35-36
4.1.3.2 The Gospel in The Bluest Eye36-37
4.2 Micro-Rhetoric in The Bluest Eye37-44
4.2.1 Metaphor37-39
4.2.1.1 The Marigold37-38
4.2.1.2 The Dandepon38-39
4.2.2 Symbop39-40
4.2.2.1 The Animals39
4.2.2.2 The Dessert39-40
4.2.3 Irony40-41
4.2.3.1 The Family Name of “Breedlove”40-41
4.2.3.2 Two Characters: Geraldine and Paupne41
4.2.4 Contrast41-44
4.2.4.1 Ideal pfe and Pecola's pfe42
4.2.4.2 Pecola and Claudia42-43
4.2.4.3 The Breedloves and the MacTeers43-44
Chapter 5 Conclusion44-46
Bibpography46-50
攻读硕士期间的科研成果50