本站原创摘要4-5
Abstract5-9
Chapter Ⅰ Introduction9-13
1.1 The Topic of the Study9
1.2 The Purpose of the Study9-10
1.3 Methodology10
1.4 Layout of the Thesis10-13
Chapter Ⅱ Literature Review13-30
2.1 The Studies on Conceptual Blending Theory13-23
2.1.1 Theoretical Background of Conceptual Blending Theory15-17
2.1.2 Theoretical Framework of Conceptual Blending Theory17-22
2.1.3 The Five Principles of Conceptual Blending Theory22-23
2.2 The Studies on Classic Chinese Poems and Lyrics23-28
2.2.1 The Conventional Perspectives of Classic Chinese Poem andLyric Analysis24-26
2.2.2 The Cognitive Perspective of Classic Chinese Poem and Lyric Analysis26-28
2.3 Summary28-30
Chapter Ⅲ Conventional Blending30-38
3.1 Introduction30-31
3.2 Blending concerning one image31-33
3.3 Blending concerning several images33-36
3.4 Summary36-38
Chapter Ⅳ Relevant Blending38-47
4.1 Introduction38-39
4.2 Blending concerning pfe39-43
4.3 Blending concerning history43-46
4.4 Summary46-47
Chapter Ⅴ Innovative Blending47-54
5.1 Introduction47-48
5.2 Illustration Five48-50
5.3 Illustration Six50-52
5.4 Summary52-54
Chapter Ⅵ Conclusions54-57
6.1 Summary of the Thesis54-55
6.2 Limitations of the Study55
6.3 The Future Prospects55-57
Acknowledgements57-58
References58-59