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论意境主位选择对意境再现影响

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摘要:本论文主要讨论中国古典诗歌英译浅析的语言学途径,其论述基础主要是M.A.K.Halpday的系统功能语言学(Systemic Functional Linguistics)中的主述位论述以及主位推进方式。由于主述位论述(Thematic Theory)和主位推进方式(Thematic Progression Patterns)很好地体现语篇的结构特点,为语篇浅析提供一个浅析框架,由此用系统功能语言学的运用探讨不少。国内有一些学者以系统功能语言学角度出发,对古诗英译的评论做了一些有益的尝试,其中较为突出的如黄国文的《翻译探讨的语言学探讨——古诗词英译本的语言学浅析》,将语言学论述运用于诗歌翻译,并为诗歌翻译的语言学探讨提供了策略。本论文甄选4首中国古典诗歌以及其17种英译本,这些英译本在格律翻译、内容忠实、自由创造等方面各具风格。本论文首先通过浅析中国古典诗歌的主位选择及主位推进方式,对源语的意境营造进行定性浅析。然后通过比较浅析的策略,对17种英译本在句子层面上具体浅析主位选择对诗歌意境再现的影响,在语篇层面上,探讨不同主位推进方式对诗歌意境再现的作用。通过以上比较浅析与探讨,本论文旨在揭示主位选择和主位推进方式在中国古典诗歌英译中意境再现的指导性作用,并希望给翻译探讨带来一些启迪,并检验功能语言学在诗歌英译探讨和浅析实践中的可操作性和运用性。关键词:主述位论述论文主位推进方式论文语篇浅析论文诗歌意境再现论文

    摘要5-6

    ABSTRACT6-7

    List of Tables and Figures7-10

    Chapter 1 Introduction10-16

    1.1 Background and Contents of the Research10-11

    1.2 Purpose and Significance of the Research11-14

    1.3 Research Questions14

    1.4 Methods and Results of the Research14-15

    1.5 Layout of the Thesis15-16

    Chapter 2 Literature Review16-32

    2.1 The Definition of Theme and Rheme16-17

    2.2 Distinction Between Theme,Subject and Topic17-20

    2.3 Classification of Theme20-24

    2.3.1 Simple Themes20-21

    2.3.2 Multiple Theme21-23

    2.3.3 Clause as Theme23-24

    2.4 Thematic Progression and Thematic Progression Patterns24-27

    2.4.1 Parallel Pattern25-26

    2.4.2 Concentration Pattern26

    2.4.3 Continuity Pattern26

    2.4.4 Intersecting Pattern26-27

    2.5 Previous Studies27-32

    Chapter 3 Methodology32-35

    3.1 Nature of Subjects32-33

    3.2 Data Collection33

    3.3 Research Methods33-35

    Chapter 4 Analysis and Discussion35-55

    4.1 On Poetry Translation35-36

    4.2 The Thematic Analysis to“枫桥夜泊”36-42

    4.2.1 Observation and Interpretation36-37

    4.2.2 Thematic Description to the Source Text:How Artistic Conception Created37-39

    4.2.3 A Contrastive Study to Its Engpsh Versions at the Clausal Level39-42

    4.2.4 Reproduction of Artistic Conception Reproduction at the Text Level42

    4.3 The Thematic Analysis to“芙蓉楼送辛渐”42-49

    4.3.1 Observation and Interpretation42-43

    4.3.2 Thematic Description to the Source Text:Artistic Conception Creation43-44

    4.3.3 Reproduction of Artistic Conception in the Target Text44-48

    4.3.4 Reproduction of Artistic Conception at the Text Level48-49

    4.4 The Thematic Analysis to Some other Poems49-52

    4.4.1 Thematic Analysis to“江雪”49-51

    4.4.2 Thematic Analysis to“春晓”51-52

    4.5 A Brief Summary to the Above Analysis52-54

    4.6 Solutions,Strategies or Suggestions54-55

    Chapter 5 Conclusion55-59

    5.1 Major Findings of the Study55-56

    5.2 Imppcations56-57

    5.2.1 Theoretical Imppcation56-57

    5.2.2 Practical Imppcation57

    5.3 Limitations and Speculations about Further Research57-59

    References59-61

    Acknowledgements61-62

    Resume62

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