Acknowledgements3-4
Abstract4-6
摘要6-8
Contents8-10
Chapter One Introduction10-15
1.1 Research Background and Significance10-12
1.2 Purpose of the Research12-13
1.3 Structure of the Research Paper13-15
Chapter Two An Overview of Poetics of Blankness Study in Classical ChinesePoetry15-29
2.1 Definition and Theoretical Basis of Poetics of Blankness in Classical Chinese Poetry15-20
2.2 Characteristics of Blankness in Classical Chinese Poetry20-22
2.2.1 Uncertainty20-21
2.2.2 Multi-levelness21-22
2.3 Two Kinds of Blankness in Classical Chinese Poetry22-29
2.3.1 Blankness on Linguistic Level22-27
2.3.1.1 Elppsis of Notional and Functional Words23-24
2.3.1.2 Indeterminacy of Words' Meaning24-27
2.3.2 Blankness on Ideorealm Level27-29
Chapter Three Imagery Theory and Its Apppcation in Translation29-40
3.1 Brief Introduction to Cognitive Linguistic29-30
3.2 Imagery Theory30-33
3.2.1 Introduction to Imagery and Scene Construal30-32
3.2.2 The Feasibipty of Applying Imagery Theory to Analyzing Translation32-33
3.3 Equivalence from a Cognitive Perspective33-35
3.4 Its Apppcation to Blankness Aesthetics Representation in an Overall Discussion35-40
Chapter Four Main Parameters of Imagery Theory andTheir Apppcation to Blankness Aesthetics Tranerence40-65
4.1 Sapence and Blankness Aesthetics Tranerence40-49
4.1.1 Introduction to Sapence40-42
4.1.2 Apppcation of Sapence to Translation42-49
4.1.2.1 Sapence and the omission of functional words43-46
4.1.2.2 Sapence and the omission of subject46-49
4.1.2.3 Sapence and Choice of Words49
4.2 Level of Specificity49-57
4.2.1 Introduction to Level of Specificity49-50
4.2.2 Level of Specificity and Translation50-57
4.2.2.1 Level of Specificity and Indeterminacy of Word meaning51-53
4.2.2.2 Level of Specificity and Blankness on Ideorealm Level53-57
4.3 Selection and Blankness Aesthetics Representation57-61
4.3.1 Introduction to Selection57-58
4.3.2 Apppcation of Selection to Translation58-61
4.4 Perspective and Blankness Aesthetics Representation61-65
4.4.1 Viewpoint and Sapence61-62
4.4.2 Subjectivity and Objectivity and Subject-obscureness62-65
Chapter Five A Case Study65-74
5.1 Poem Feng Qiao Ye Bo65-74
5.1.1 Detailed Analysis of Blankness Aesthetics in the Source Poem65-67
5.1.2 Detailed Analysis of Different Engpsh Versions67-74
Chapter Six Conclusion74-76
References76-79
攻读学位期间发表的学术论文79-81