本站原创摘要5-6
Abstract6-8
Contents8-10
Abbreviations10-11
List of Tables11-12
List of Figures12-13
Chapter 1 Introduction13-19
1.1 Research background13-14
1.2 Rationales and methodology of the research14-16
1.3 Purpose of the research16-17
1.4 Significance of the study17-18
1.5 Organization of the thesis18-19
Chapter 2 Literature Review19-28
2.1 Overview of the filmic discourse19-22
2.1.1 Researches on film language with semiotic approach19-22
2.1.2 Framework adopted for filmic discourse analysis22
2.2 Overview of multimodal discourse analysis22-28
2.2.1 Definition of modapty and multimodaity23-25
2.2.2 Transition from discourse analysis to multimodapty25-27
2.2.3 Research of multimodal discourse analysis with functional approach27-28
Chapter 3 Theoretical Framework28-44
3.1 Theoretical backgrounds28-33
3.1.1 Interpersonal meta-function28-30
3.1.2 Appraisal theory30-31
3.1.3 Visual grammar31-33
3.2 A model for the interactive meaning in film discourse33-40
3.2.1 The interactive meaning of visual images33-36
3.2.2 The interactive meaning of language36-40
3.3 Method of the study40-44
3.3.1 Induction40-42
3.3.2 Quaptative analysis42-44
Chapter 4 Analysis of the Interactive Meaning of Film Discourse44-64
4.1 The dynami of the interactive meaning44-55
4.1.1 Contact44-46
4.1.2 Social distance46-48
4.1.3 Perspective48-50
4.1.4 Modapty50-55
4.2 Synthetic analyses of film discourse55-60
4.2.1 Interactive meaning of the visual image55-57
4.2.2 Interactive meaning of the language57-59
4.2.3 Verbal-visual intersemiotic interaction59-60
4.3 Classification of different modapties in the film60-64
4.3.1 Modapty forms in the film60-61
4.3.2 Relationship among different modapties61-62
4.3.3 The integration of different modapties in the film62-64
Chapter 5 Conclusion64-69
5.1 Major findings64-67
5.2 Imppcations of the research67
5.3 Suggestions and suggestions67-69
References69-73
Acknowledgements73-74
作者介绍74