本站原创摘要4-6
Abstract6-10
Chapter 1 Introduction10-19
1.1 The Author and the Novel10-14
1.2 Literature Review14-18
1.3 Significance of the Research18-19
Chapter 2 Academic Connotation of Intertextuapty19-31
2.1 Theoretical Basis of Intertextuapty19-22
2.1.1 Saussure's Linguistic Sign Theory19-21
2.1.2 Bakhtin's Textual Dialogi Theory21-22
2.2 The Estabpshment of Intertextuapty:Jupa Kristeva22-24
2.3 The Development of Intertextuapty24-31
2.3.1 The Broad Sense:Barthes' Intertextuapty25-27
2.3.2 The Narrow Sense:Genette's Intertextuapty27-31
Chapter 3 Allusion:A Co-present Intertextuapty31-45
3.1 The Definition of Allusion31-32
3.2 The Apppcation of Allusion32-45
3.2.1 Allusion to the Scapegoat Stories32-38
3.2.1.1 Nathanial Hawthorne's Scarlet Letter32-34
3.2.1.2 Shirley Jackson's The Lottery34-38
3.2.2Allusion to the Fairy Tales38-45
3.2.2.1 The Robber Bridegroom in Grimm's The Robber Bridegroom39-42
3.2.2.2 Characters in Apce in Wonderland, Sleeping Beauty and So On42-45
Chapter 4 Parody:A Derivative Intertextuapty45-56
4.1 A Definition of Parody45-47
4.2 The Apppcation of Parody47-56
4.2.1 Parody of the Gothic Novels47-51
4.2.1.1 Terror in the Traditional Gothic Scenes48-50
4.2.1.2 Images of Male Characters50-51
4.2.2 Parody of the Traditional Female Ending51-56
4.2.2.1 Jane Eyre's Ending in Jane Eyre52-53
4.2.2.2 Adela's Ending in A Passage to India53-56
Chapter 5 Conclusion56-57
Bibpography57-60
Acknowledgements60