本站原创Abstract5-7
摘要7-9
Introduction9-15
Chapter 1 Classifications of the antiques described in Hong Lou Meng15-31
1.1 Chinese classical clothing and its accessories15-27
1.1.1 Connections between materials of clothing and nature17-21
1.1.2 Connections between pattern of clothing and nature21-23
1.1.3 Connections between color of clothing and nature23-25
1.1.4 Connections between naming of clothing and nature25-27
1.2 Chinese classical furniture and other ornaments27-31
Chapter 2 Functions of the antiques described in Hong Lou Meng31-49
2.1 Functions of the costumes and accessories31-38
2.1.1 Costumes and accessories as a symbol of feudal ethics and rites31-32
2.1.2 Costumes and accessories as a tool to maintain hierarchy32-34
2.1.3 Cultural deposits of the costumes and accessories34-38
2.2 Cultural connotations of the furniture and other ornaments38-49
2.2.1 Furniture and other ornaments to reflect the temperament of the characters38-42
2.2.2 Furniture and ornaments as a symbol of feudal hierarchy42-45
2.2.3 Furniture and the feudal rites and ethics45-46
2.2.4 Ornaments as a clue to foreshadow the future46-49
Chapter 3 German functional translation theory49-54
3.1 Further introduction to the theory49-51
3.2 Factors contributing to the translation in the perspective of functional theory51-53
3.3 Evaluation of the translation of the antiques based on functional translation theory53-54
Conclusion54-57
Bibpography57-60
Acknowledgement60